MARLON AND MAO
By Michael Moriarty
This film is the third in a trilogy that begins with HITLER MEETS CHRIST. Already filmed, HITLER MEETS CHRIST waits on some strange shelf in Vancouver to be completed in post-production. While that four-year hurry-up-and-wait drama goes on, the author has already completed in his imagination not only the second film of this trilogy, BOOGIE AND BILDY, but the third as well, MARLON AND MAO.
The author intends to at least see MARLON AND MAO on the page, ergo this script. Accompanying this basic interview with Marlon Brando on a set in Heaven will, of course, be the documentary inserts of historical events referred to which the producers of HITLER MEETS CHRIST entirely left out. Oh, well, here we go.
A MOVIE SET IN HEAVEN
Sitting in a director's chair is someone who looks like MARLON BRANDO in the oriental make-up of Mao Zedong. This image may be the first to appear
during the credits. However, the film really begins with the interviewer, RICHARD FREELEY of the British Broadcasting Corporation.
RICHARD FREELEY (obviously an Englishman)
Welcome. This is Richard Freeley of the BBC. We are about to interview Marlon Brando on a set in Heaven where he is filming a movie about the metaphysical impact on the world of the soul of Mao Zedong. Mr. Brando plays Mao Zedong.
We approach MARLON BRANDO. He is eating a sandwich and sipping on a soda pop.
RICHARD FREELEY
Mr. Brando, so honored to have you agree to this interview. As we all know, you are not accustomed to granting interviews.
MARLON BRANDO merely shrugs through his sandwich chewing.
How are you enjoying this film so far?
Again, another shrug with a slightly different turn to it, perhaps a slight pause before the shrug.
Ah, yes… said with your usual brevity of wit.
MARLON BRANDO
That’s good. Yeah, I like that.
RICHARD FREELEY (after a slight pause of surprise)
Skipping over the polite chitchat, tell us who Mao Zedong really is…
MARLON BRANDO (after a classic Brando pause)
Uh… hmm... uh… yeah, I suppose he’s me.
RICHARD FREELEY (with no surprise)
You?
MARLON BRANDO
Yeah…. ya gotta problem with that?
RICHARD FREELEY
Not at all. It’s rather exciting. Few have had the privilege to interview Mao Zedong. He was even more unavailable for such things than you, sir.
MARLON BRANDO
Hmm. uh… yeah, I guess yer right about that. Maybe that’s why I admire him so much.
RICHARD FREELEY
You respect him, do you?
MARLON BRANDO
Deeply. I think there’s more to him than meets the eye… of historians, anyway.
RICHARD FREELEY
You’re saying this as Brando, obviously.
MARLON BRANDO
What… you want me to speak like Mao in the first person?
RICHARD FREELEY
It might be fun.
MARLON BRANDO
Uh…. hmm...
(He shakes his head.)
It’s a gimmick… I don’t like gimmicks, you know?
RICHARD FREELEY
But what of the stuffing in your cheeks for THE GODFATHER?
MARLON BRANDO (giving Freeley a dirty look)
A visual necessity, sir.
RICHARD FREELEY
How so?
MARLON BRANDO
I wasn’t as fat as I wanted to be at the time.
RICHARD FREELEY
Oh, so you wanted to look more like the character in APOCALYPSE NOW.
MARLON BRANDO
Yeah, right.
RICHARD FREELEY
I gather that Francis Coppola wasn’t too pleased with your weight gain when you arrived in the Philippines.
MARLON BRANDO
Fuck ‘im. Who the hell is he?
RICHARD FREELEY
I gather he’s no longer one of your favorite directors.
MARLON BRANDO
I don’t have any favorite directors… well... Gadge wasn’t so bad.
RICHARD FREELEY
Elia Kazan?
MARLON BRANDO
Yeah…
RICHARD FREELEY
The director of A STREETCAR NAMED DESIRE, ON THE WATERFRONT and VIVA ZAPATA, right? Didn’t he rat on the Commies?
MARLON BRANDO
He probably did the right thing.
RICHARD FREELEY (honestly surprised)
Kazan did the right thing and now you’re playing Mao?
MARLON BRANDO
Yeah. You gotta problem?
RICHARD FREELEY
Yes, Mr. Brando… the two hardly go hand in hand.
MARLON BRANDO
What makes you think Mao was jus’ a Commie?
RICHARD FREELEY (chuckling)
Well, last headline I read, it was fairly rock-solid historical fact.
MARLON BRANDO
So you believe everything you read in the newspapers, huh?
RICHARD FREELEY
Well, when the same news is repeated in about ten of them I do.
MARLON BRANDO
Yeah, well, that’s what makes you a journalist and me an actor.
RICHARD FREELEY
You never really liked acting, did you?
MARLON BRANDO
What?
RICHARD FREELEY
It… acting…was all too easy for you, wasn’t it?
MARLON BRANDO
Well… pretty much, but that doesn’t mean I haven’t come to love it.
RICHARD FREELEY
Oh, over time, you’ve grown attached to it?
MARLON BRANDO
Yeah, kinda very attached… it’s the only fuckin’ thing I can do.
RICHARD FREELEY
Well, that would narrow down your options, wouldn’t it?
Pause while both sit in an awkward silence. RICHARD FREELEY consults his notes.
Oh, well…. why don’t we start getting into the script you’re filming? And do tell us about your co-stars. It says here that the great German philosopher Friedrich Nietzsche plays a number of roles, including the present Prime Minister of France and co-leader of the European Union, Jacques Chirac.
MARLON BRANDO
Yea. Freddy... what a guy! Damn, if only I’d met ‘im when I started my career, he’d have cut through all the Soviet bullshit I was fed.
RICHARD FREELEY
Soviet bullshit?
MARLON BRANDO
Yeah… the word "social" in those days was really meant "Soviet."
RICHARD FREELEY (genuinely surprised)
Really?
MARLON BRANDO
You bet!
RICHARD FREELEY
What about now? What does "social" or "Socialism" mean now?
MARLON BRANDO
Oh, now? It means the Da Vinci Code.
RICHARD FREELEY
What?
MARLON BRANDO
Yea, Da Vinci’s version of the Bible.
RICHARD FREELEY
You’re kidding.
MARLON BRANDO
No, I kid you not. It’s the whole split in the so-called Communist movement.
RICHARD FREELEY waits in anticipation.
MARLON BRANDO
It all seemed to come outta the French Revolution in 1793, right?
RICHARD FREELEY
Yes… and just before that, the first "commune" was in Paris!
MARLON BRANDO
Right, but René Descartes’ first God ended up being Leonardo Da Vinci.
RICHARD FREELEY
Oh?
MARLON BRANDO
Why the fuck do you think they hung inside the Louvre so much? In the Da Vinci Room, the Holy of Holies? To write The Communist Manifesto? Karl Marx and Friedrich Engels did that. Almost a hundred years later.
RICHARD FREELEY
And Nietzsche told you this.
MARLON BRANDO
Yeah, Freddy was all over this like a fly on shit.
RICHARD FREELEY
Do go on.
MARLON BRANDO
Well, these eggheads know they’re not gonna destroy the whole Judeo-Christian civilization or, as Da Vinci wanted to do, rewrite the entire Bible without some
heavy hitters, some Osamas with guillotines, you know?
RICHARD FREELEY
Yes… I’m catching on, I think.
MARLON BRANDO
So they start prayin’ for a Napoleon, see?
RICHARD FREELEY
"Praying for a Napoleon…"
MARLON BRANDO
Yeah… so the first asshole who shows up is a guy named Maximilien Robespierre. Well, after they cut the heads off a Christian King, the aristocracy and the rich, they start working on the heads of the bourgeois middle class, some of Robespierre’s pals start getting "moderate" on him, you know, kind of Da Vinci-esque.
RICHARD FREELEY
Oh, you mean Louis Antoine de St-Just, Camille Desmoulins and Georges Danton, right?
MARLON BRANDO
Yeah, right…. Jesus, yer up on this shit. You remind me of Wally Cox. He was my intimate friend…
RICHARD FREELEY (after awkward pause)
The History of France was my thesis at Cambridge.
Slight pause while MARLON BRANDO nods.
You played Napoleon, didn’t you…in DESIRÉE.
MARLON BRANDO
Yeah… and I was terrible… I’m not a killer, you know… can’t really bring that off. I can play the Godfather to protect the family, but this Jack the Ripper shit is just not my cup of tea, so… yeah, I stunk. But the first Napoleon was Robespierre.
RICHARD FREELEY
Yes, and France ended up decapitating him too.
MARLON BRANDO
Yeah, but that didn’t stop their prayers, did it?
RICHARD FREELEY
No, I suppose not. In a few years, a military genius shows up from Italy and, yes, France falls in love with him.
MARLON BRANDO
The French just had to. You think Leonardo, in Mona Lisa drag, is gonna play Joan of Arc? Lead the whole fuckin’ French army into Europe and Egypt?
RICHARD FREELEY
No, I don’t suppose the Mona Lisa would inspire any army of men… even a French army.
MARLON BRANDO
Yeah… yer gonna need a real butch Italian, right?
RICHARD FREELEY
Yes, interesting… both Da Vinci and Buonoparte being Italian… yes, fascinating.
MARLON BRANDO
Right… that’s how I felt after Freddy started fillin’ me in.
RICHARD FREELEY
Perhaps I should interview Mr. Nietzsche as well.
MARLON BRANDO
It might not be a bad idea…. he’s a helluva funny guy.
RICHARD FREELEY smiles wanly at this suggestion and description.
From yer expression… I guess you find that hard to believe… well, you know that Zarathustra laughed.
RICHARD FREELEY
Yes, it’s one of Nietzsche’s classics.
MARLON BRANDO
You don’t think Freddy laughed too?
RICHARD FREELEY
Yes, but being able to laugh doesn’t always mean being able to make other people laugh.
MARLON BRANDO
Yeah, but it’s a good beginning.
RICHARD FREELEY (a bit lost now)
I suppose so.
Another awkward pause while RICHARD FREELEY consults his notes.
This film… let’s get back to that. When does it start? I mean at what point in time?
MARLON BRANDO
The European Depression.
RICHARD FREELEY
What?
MARLON BRANDO
Yeah, somewhere around 2010 or so…
RICHARD FREELEY
Oh… 2010… Hmm, there’s a depression? Like the one in the 1930s?
MARLON BRANDO
Yeah, only worse… a lot like the one we see in THE LAST MAN ON EARTH.
RICHARD FREELEY
Oh…
MARLON BRANDO
A lotta rage underneath people who can’t eat.
RICHARD FREELEY
But, Mr. Brando, this Europe is a cradle-to-grave, Socialist state… why can’t they eat? It’s almost everything FDR wanted in the New Deal.
MARLON BRANDO
Yeah, but his New Deal wasn’t what ended the Depression. The Second World War did. Sent everybody back to work.
RICHARD FREELEY
I’ve heard that theory… I’m not entirely convinced…
MARLON BRANDO
Course yer not… yer still a fuckin’ liberal.
Stung, RICHARD FREELEY looks up at MARLON BRANDO.
It’s written all over ya. Tony Blair fan to a T!
This is the first sign of anger we’ve ever seen in RICHARD FREELEY.
Good. Yer angry. I win.
RICHARD FREELEY gives MARLON BRANDO a sullen stare and then moves on with his interview.
RICHARD FREELEY (after being flummoxed by this, turns to the camera)
We’re going to have to take a break here, ladies and gentlemen, for an advertisement of some sort or other. Be back shortly.
COMMERCIAL BREAK ONE
______________________
RICHARD FREELEY
Well, we're back with Marlon Brando, here on the set of... what's the name of the film?
MARLON BRANDO
Doesn't have one yet.
RICHARD FREELEY
Not even a working title?
MARLON BRANDO
The director... I forget his fuckin' name... some French guy from Montreal… he doesn't like even a working title. He just... swings from the quickest idea he's got...
RICHARD FREELEY
Well, isn't that a bit frustrating at times?
MARLON BRANDO
That's exactly how I work and it works every time.
RICHARD FREELEY
Really.
MARLON BRANDO
Like a charm.
RICHARD FREELEY
So, I suppose it saves you from learning your lines...
MARLON BRANDO
No, not on this one. I agreed to learn the lines... it wasn't hard 'cause they're pretty good... best I've read in a long time.
RICHARD FREELEY (reading from his production breakdown)
The director's name is Pierre Auguste Broulet...
MARLON BRANDO
Yeah, I call 'im "Eight"... fer the eighth month, ya know... (He starts to count on his fingers.) January, February, March, April...
RICHARD FREELEY (interrupting)
Yes, Mr. Brando. I understand, but "august" also means regal, majestic...
MARLON BRANDO
Well, he sure as hell ain't that. He's a deconstructionist...
RICHARD FREELEY
Say what?
MARLON BRANDO
Like Jacques Derrida, ya know?
RICHARD FREELEY (almost insulted)
Yes, I'm aware of Jacques Derrida and deconstructionism. Do you know if the term "postmodern" came from him or not?
MARLON BRANDO
Postmodern?
MARLON BRANDO continues to mouth the phrase "postmodern" to himself, meditating on it, while RICHARD FREELEY continues.
RICHARD FREELEY
People say it's a code word for "post-Marxist."
MARLON BRANDO
Oh, like "social" really meant "Soviet," huh?
RICHARD FREELEY
Something like that.
MARLON BRANDO
"Postmodern" is a contradiction in terms.
RICHARD FREELEY
Most definitely... and that's why I see it as perfect deconstruction, the tearing apart of particularly English absolutes... it was the most interesting part of my history of France, deconstructionism was.
MARLON BRANDO
"Postmodern." Gee, I guess that makes me "pre-passé."
RICHARD FREELEY
And renders me an increasingly equivocal liberal...
MARLON BRANDO
Gee... I like that... Yeah, cool...
RICHARD FREELEY
Thank you, Mr. Brando.
MARLON BRANDO
No, you can call me Marlon now... after that description of yerself, there's hope fer us being friends.
RICHARD FREELEY (flattered)
Oh, so... would you describe yourself as an increasingly equivocal communist?
MARLON BRANDO
No, I'm a Buddhist now. It was the only possible place to hide. Couldn't be a Christian, you know. I may have lost my Red Card, but I didn't lose my mind.
RICHARD FREELEY
Yes, James Joyce said something like that about the Catholic Church...
MARLON BRANDO
Oh, you read the same quote, huh?
RICHARD FREELEY
Yes. We've dropped so many names in the air now – Mao, Jacques Derrida, James Joyce, Wally Cox, Friedrich Nietzsche...
MARLON BRANDO
Talk to Freddy. You'll love 'im. He'll eat you up and spit you out like chicken feathers, but… think of it as a Friar's Roast for geniuses ... they're fun, ya know...
RICHARD FREELEY
Friar's Roast. Dean Martin comes to mind...
MARLON BRANDO
Yeah, the only really funny guy in that whole Rat Pack. We only had a quasi-scene together in THE YOUNG LIONS, when Dean shoots me and I roll down a hill. Too bad, I would have liked to work with Dean some more. What a relaxed son of a bitch… Made everything look too easy…
RICHARD FREELEY
You and Frank Sinatra didn't get along, did you? I mean on the set of GUYS AND DOLLS.
MARLON BRANDO
Well, he thought he should be playing my role... Sky Masterson... but he was a little long in the tooth fer that, ya know?
RICHARD FREELEY
Yes, well... I'm trying to get us back to Mao.
MARLON BRANDO
Well, there's a connection between Frank Sinatra and Mao Zedong. Yeah, they were both patriarchs, you know. The men wore the pants and called the shots.
RICHARD FREELEY
Yes, but, well... that's hardly of any major impact upon the situation...
MARLON BRANDO
It's vitally important to this script I'm shooting.
RICHARD FREELEY
How so?
MARLON BRANDO
Well, these Da Vinci Mama's Boys, the "Rainbow Coalition of Intellectual Supremacists"... they're all matriarchal.
RICHARD FREELEY
Please elaborate.
MARLON BRANDO
Those socialist beehives they've been building… you know, with progressive taxation... that crust they're wrapping around the whole human race keeps thickening, like Jeff Goldblum’s mutated flesh when he fuses with The Fly, until finally all they've got left to do is expropriate all private property – the final Communist ace. That and martial law 24/7... well, it's insect politics. Queen bees 'n drones, ya know...
Why do you think all the women in the Free World fell for that shit? It's Da Vinci Goddess Worship. Read this Dan Brown character's THE DA VINCI CODE. It's all there in black 'n white. Women, according to Leonardo, know more than men, are stronger, wiser, more cunning... on and on... and men, except for providing sperm, are worthless, except as drones or workers. Really. So, with no God to speak of, these Goddesses have earned all the rights of Mother Earth... to just up and whack their gestating infants... treat 'em like egg yokes.
I mean, what is that whole trimester dividing up of gestation? Two thirds of a fetal life, according to the scientists, is egg yolk... no more important than a possible omelet. And when you think about it, ya know, that makes all women egg shells. Those flying dykes who meet in Beijing once a year to "celebrate the Revolution" kind of overlooked how this image leaves them... you think Mao really thinks of women as any better than eggs with yolks?
RICHARD FREELEY (quite disturbed by all this insect-and-egg talk)
Well, this is really rather upsetting...
MARLON BRANDO
Oh, yer pro-Choice, are ya? Well, gee, yer gonna have to go back ta calling me "Mr. Brando" now. I didn't know you'd take this shit so seriously.
RICHARD FREELEY
It’s time for a commercial break here.
There is an awkward moment which the cameraman finally ends with a cut.
COMMERCIAL BREAK TWO
___________________________
RICHARD FREELEY
So, here we are, still in Heaven, of course, but at this point I’ve chosen to speak with Herr Friedrich Nietzsche, famed 19th-century philosopher and now, apparently through the imprecations of Marlon Brando, an actor…
FRIEDRICH’S VOICE off-camera
Part time! Only a hobby.
RICHARD FREELEY (having heard it clearly)
Ah, yes, only a "hobby" he says. Well, you never know with Hollywood…
FRIEDRICH’S VOICE AGAIN
Hollywood? This is a documentary, isn’t it?
RICHARD FREELEY (calling back)
This is, sir, but the film you’re in is not.
FRIEDRICH’S VOICE YET AGAIN
I know that! However, in the film I appear as an asshole named Jacques Chirac…
RICHARD FREELEY
Yes, that’s true…
FRIEDRICH’S VOICE AGAIN
But here I’m appearing as myself, correct?
RICHARD FREELEY
Correct.
FRIEDRICH’S VOICE
And I’m not even appearing… look at the monitor… I’m not even on it!
The camera swivels to the monitor and, of course, all we see is the monitor.
Am I on it?
RICHARD FREELEY’S VOICE OFF-CAMERA
No, sir.
FREDDY
You never smile! Who taught you comedy? Boris Karloff? Bela Lugosi?
Richard Nixon?
RICHARD FREELEY (crimson-faced)
Herr Nietzsche!
FREDDY’S VOICE
Cut the "Herr" shit… it’s Freddy…
RICHARD FREELEY (nonplussed)
Well, yes, but please. Calling Nietzsche Freddy is…
FREDDY’S VOICE
That bubble-brain Brando calls me Freddy…
RICHARD FREELEY
But I am not Marlon Brando…
FREDDY’S VOICE
Thy state is the more gracious. You're very fucking lucky….
RICHARD FREELEY
Sir?
At last the camera whip-pans to the face of FRIEDRICH NIETZSCHE. He is in a similar director’s chair as MARLON BRANDO was. He is dressed and made-up to remotely resemble Jacques Chirac.
FREDDY
I know "fucking" is an obscenity… something this show is turning into, you understand?
The editing now returns to a two-camera set-up. Both RICHARD FREELEY and FREDDY can be interchanged in the cutting room.
RICHARD FREELEY
Ah, my first review…
FREDDY (smiling)
At last, a funny line… You’re learning… slowly… very slowly.
RICHARD FREELEY
Mr. Brando said you were funny, but I hadn’t quite expected…
FREDDY
Jackie Mason? He’s one of my favorites. He’s allowed on TV in Heaven. Ed Sullivan has no say about what goes on up here.
RICHARD FREELEY
I’m not surprised. Now! I suppose it’s time to begin the interview.
FREDDY
I don’t feel like it anymore. I’m pouting. I love to pout. Began the minute I learned that I was dying of syphilis. It got me everything I wanted. Poor me… poor Friedrich…
RICHARD FREELEY
I was going to get to that subject a bit later in our conversation….
FREDDY
Shy, eh?
RICHARD FREELEY
Well, my audience is rather…
FREDDY
Bourgeois? I LOVE the bourgeois!! I scream that every time a Frenchman shows up here. "I LOVE THE BOURGEOIS! NYAH, NYAH NEE AH AH, FROGGIES!"
RICHARD FREELEY
You obviously don’t like the French.
FREDDY
Who could? Not even the French like the French. Why do you think Paris is empty in August? Eleven months is enough! They all go to Monaco… where they can pretend to be Israeli.
RICHARD FREELEY
And I thought interviewing Marlon Brando might be a problem….
FREDDY
You think, eh? I’ll be the judge of that.
RICHARD FREELEY
I do have a question or two.
FREDDY
Shoot. Fire away!
RICHARD FREELEY
What are you doing here?
FREDDY gives him the "Freddy eyes." They’re a cross between a psychiatrist’s most suspicious look and Erich von Stroheim’s highest dudgeon.
RICHARD FREELEY
I mean… you’re obviously not taking any of this seriously…
FREDDY
Who could? Marlon playing Mao? I’ve met both of them, you know…
RICHARD FREELEY
Both of them?
FREDDY
Yah… and it’s a fuck-up. He’s totally miscast.
RICHARD FREELEY
Brando miscast?
FREDDY
Of course… who would hire the biggest baby in Hollywood to play the coldest soul that ever walked the earth?
RICHARD FREELEY
I have no idea really…. don’t know who cast this film…. don’t care really…
FREDDY
Then what are you doing here? You’re not bright enough to be in Heaven… you should be in some remedial, little Red House in Purgatory.
RICHARD FREELEY
They let me in…
FREDDY
I’m going to have a talk with Him.
RICHARD FREELEY
Who?
FREDDY
None of your fucking business.
RICHARD FREELEY
So one must have a high IQ to be let in, is that right?
FREDDY
It’s not a dictatorship up here… if some newcomers are not to everyone’s liking, there’s a vote.
RICHARD FREELEY
Heaven’s a democracy!
FREDDY
Kind of… if the Big Guy wants someone in… he or she gets in.
RICHARD FREELEY
You don’t like women, do you?
FREDDY
Who started all the trouble in the first place? Women!
RICHARD FREELEY
I dig. Why did you consent to this interview?
FREDDY
It was in my contract!
RICHARD FREELEY
You signed a contract?
FREDDY
Of course! You think anybody trusts anybody else up here?
RICHARD FREELEY
Isn’t that what Heaven is all about? Trust?
FREDDY
Who comes up here? Pillsbury Doughboys from another planet? Humans! And have you ever met anybody down there you could trust? I mean really trust?
RICHARD FREELEY
Well, there’s… I had an aunt once. She…
FREDDY
Dead now, right?
RICHARD FREELEY
Yes.
FREDDY
I’ll look her up. What’s her name? I could use somebody I can trust. Someone busted my trust. (laughs)
RICHARD FREELEY
There’s no one up here you can trust?
FREDDY points a finger upward, surreptitiously.
Oh… yes…
FREDDY whispers something.
I beg your pardon…
FREDDY waves off the subject. It’s too dangerous to discuss.
RICHARD FREELEY looks at an imaginary authority above them, and then returns to his notes.
It says here that the working title for this film is MAO. Simply MAO.
FREDDY
Yah. And I should have played Mao… not fatty.
RICHARD FREELEY
Oh, that’s right. You said Brando is miscast.
FREDDY
Totally… completely… utterly… there couldn’t be an actor less fit to play such a monster. And I mean fit in both senses of the word!
RICHARD FREELEY
Why do you think he was cast? If you don’t mind my asking.
FREDDY
It’s the only role he would play.
RICHARD FREELEY
Hmmm… don’t you think… (RICHARD FREELEY points upward at the
imaginary Authority) he would have something to say about that?
FREDDY
He considered giving the role to Henry Kissinger who, as you know, adored Mao… and shares, well, similar tastes in more than women… but, as you know, the not-so-good Doctor hasn’t arrived yet…
RICHARD FREELEY
So, isn’t anyone else available?
FREDDY
No one up here but me is willing to play the part. You can’t know how awful Mao was… and is! Why do you think he’s not here?
RICHARD FREELEY
Well, his neighbors didn’t like him.
FREDDY
They loathed him. There was a seven-alarm fire before he arrived! The word was out up here that Mao was on his last legs and…
RICHARD FREELEY
So they’d seen everything that had gone on…
FREDDY
We all do.
RICHARD FREELEY
And this is central clearance… I mean every soul goes through the "pearly gates" first, right?
FREDDY
Right.
RICHARD FREELEY
Why is that?
FREDDY
It’s all a play… down there… and up here too.
RICHARD FREELEY
I don’t understand.
FREDDY
I didn’t either – till I met Brando. That life you live on Earth? It’s a play… written by God and produced by William Shakespeare.
RICHARD FREELEY
And the purpose of the play?
FREDDY
To entertain God, of course.
RICHARD FREELEY
And so everyone is an actor.
FREDDY
Right! It’s just a matter of how well you play the role. And Mao? Oh, my God… the biggest, baddest, coldest, most ruthless, ugliest of souls.
RICHARD FREELEY simply stares.
It’s nothing. No one in the history of Creation... yah, Mao wins the bad guy prize.
Again RICHARD FREELEY waits and stares.
RICHARD FREELEY
So, with Mao’s demise…. then the big play is over, right?
FREDDY
No, Mao rules… still! Yah…
RICHARD FREELEY
From where?
FREDDY
At the end of the universe, there is the coldest, most glacial void… empty of everything! Except black holes… all over… ugly, bottomless vacuums of nothingness! Yah… and the cold there… oh, my soul. May I never hear of that Freezer again… let alone feel it… the Freezer... yah, we call it the Freezer.
RICHARD FREELEY
That’s where he is? In the nether reaches of a cold, dark universe?
FREDDY
Yah.
RICHARD FREELEY
And he rules from some distant void, like a monstrous Planet X?
FREDDY
Most completely now… the whole Earth… the human race… it’s his… right there in the palm of his hand.
RICHARD FREELEY
So for all this time… all these millennia, we got it wrong. The Devil is in an inferno, a hell of fire!
FREDDY
No.
RICHARD FREELEY
That’s what we’ve been told… it’s brimstone and furnaces.
FREDDY
No, sir, it’s the Freezer. The devil is ice! A glacier so excruciatingly cold, it’s beyond our imagination.
RICHARD FREELEY
We’ll take a break here… I need a drink!
COMMERCIAL BREAK THREE
_____________________________
RICHARD FREELEY
We’re back to the film set of MAO, staring Marlon Brando and Friedrich Nietzsche… or "Freddy," as Marlon is allowed to call him… How does it feel, Mr. Brando?
MARLON BRANDO
Marlon… you can call me Marlon… for now….
RICHARD FREELEY
Oh… and why is that? I thought you’d...
MARLON BRANDO
I know but… if I get like that... you know… not letting you call me Marlon… I’d be a snob. Freddy taught me that.
RICHARD FREELEY
So Friedrich Nietzsche is not a snob, eh? You’d think he would be. An acknowledged genius of Philosophy and...
MARLON BRANDO
Well, if you die of syphilis… you know? Kind of takes the glow off the fame… Near the end, Freddy was so far gone he hugged a beaten horse in a town square.
RICHARD FREELEY
Syphilis… a subject I wanted to discuss with Mr. Nietzsche…
MARLON BRANDO
So he didn’t let you call him Freddy?
RICHARD FREELEY (lying)
Well, I just can't call the great Friedrich Nietzsche Freddy... it's just not in me.
MARLON BRANDO
Then you'll call me Mr. Brando... I'm not taking a back seat to Freddy!
RICHARD FREELEY (ticked)
Well, that sounds fair… I suppose. Does Mr. Nietzsche hold that much power over you? Sounds like you can’t do a thing without his approval.
MARLON BRANDO
Really! Well, I’ve never had a great film director, you know… I mean as great a director as I am an actor…
RICHARD FREELEY
There’s Elia Kazan, Charles Chaplin, Edward Dmytryk, Francis Ford Coppola – a whole array of Hollywood’s best directing you…
MARLON BRANDO
No… Freddy’s the best.
RICHARD FREELEY
Mr. Nietzsche directs you?
MARLON BRANDO
Yeah, he’s there for every scene I do.
RICHARD FREELEY
Isn’t that a little nerve-wracking to Monsieur Pierre Auguste Broulet?
MARLON BRANDO
You mean "Eight?" Well, who the fuck cares…. he’s used to it. He’s a TV director.
RICHARD FREELEY
Oh. So how does Mr. Nietzsche direct you? I mean – what does he have that others don’t?
MARLON BRANDO
Compassion. Yeah, it’s amazing…. he feels and knows everything… all at once… you don’t have to say a thing… he reads my mind… my whole being. And he’s the funniest guy I ever met.
RICHARD FREELEY (smiles in agreement, looks at his notes)
The scene with Mr. Nietzsche as Jacques Chirac... have you shot it yet?
MARLON BRANDO
Yeah, it was fourth scene second day… yeah… won’t forget that… He showed up on the set in a Can-Can outfit… Moulin Rouge shit. Kickstepping, showin’ his fanny… singing’ "If you knew Freddy like I know Freddy…" ooo-la-la! What a gal! I mean who could beat that? It was enough to induce cardiac arrest in a yak!
RICHARD FREELEY (embarrassed)
Oh, yes… Dame Edna material. Yes, very funny, I would imagine.
MARLON BRANDO
Then he takes his feather boa off, goes over and kisses "Eight" right on the lips… turns to me and says – I can imitate him – "Herr Broulet kisses better than Larry King!" I fell off my fucking chair. So I start singin’ "A Fine Romance… with no kisses… a fine romance."
RICHARD FREELEY
So you became friends right then and there.
MARLON BRANDO
And it’s only gotten better ever since. He loves Mexican food… I love Mexican food…. He’s crazy about Polynesian girls… I married one. She drove me crazy… He knows how to fix the problem First Nations have had since we white assholes
showed up…
RICHARD FREELEY
And how do you fix that problem?
MARLON BRANDO
Know they’re waiting till half the white race blows itself up… you gotta know that…. and then they come out of hiding and help.
RICHARD FREELEY
He’s sure of that?
MARLON BRANDO
I’m sure of that.
RICHARD FREELEY
Why?
MARLON BRANDO
We haven’t suffered half o’ what they have… after the Apocalypse, we will have. It won’t even the score, because they’ll be suffering too.
RICHARD FREELEY
So we have to blow ourselves up… to solve the problem with First Nations.
MARLON BRANDO
We don’t have to. We will… it’s a sure thing… even the Bible says that. Till then the Indians party… Cabaret, you know…. "Life is a cabaret, ole chum"….
RICHARD FREELEY (catty)
You mean by getting drunk on the reservation? You like singing, don’t you?
MARLON BRANDO
Love it!
RICHARD FREELEY
Do you think you were underappreciated in that respect?
MARLON BRANDO
Yes! Absolutely. If Rex Harrison can talk his way through a song, what’s wrong with me mumbling my way through a song?
RICHARD FREELEY
Well, you did try to sing in GUYS AND DOLLS…
MARLON BRANDO
Try? I sing exquisitely in that! All of Sky Masterson’s boyishness and sensitivity comes through… I hit everything right on target. I sang as well as Edmund Purdom! (laughs)
RICHARD FREELEY
The notes weren’t always in tune, though…
MARLON BRANDO
Neither was Sky Masterson’s life! And the critics weren’t awake enough to pick that up…
RICHARD FREELEY
Neither was Frank Sinatra, I hear…
MARLON BRANDO
That shitbag… wannabe Gumba….
RICHARD FREELEY
Hush. His friends might hear you, you know?
MARLON BRANDO
Let ‘em. What the fuck can I be afraid of now?
RICHARD FREELEY
That’s true…. Now, I haven’t asked one-fifth of the questions I’ve written down here.
MARLON BRANDO
Get your head out of the notes. Talk… live a little… you’ll be up here or down there for a long time… You can ask me then…
RICHARD FREELEY
But my viewers would like to know some of this now.
MARLON BRANDO
They’ll end up in the same place… so what’s your problem?
RICHARD FREELEY (flustered)
Well, I... uh...
MARLON BRANDO
Hey, grab that chair over there and sit down with me… right here… yeah… grab it, pick it up right.
RICHARD FREELEY does as he’s told.
MARLON BRANDO
Now, tell me about yourself.
RICHARD FREELEY
Well, we don’t really need the cameras for this…
MARLON BRANDO
Course we need ‘em. Leave ‘em running… now you’ll know how it feels… get an idea of what it’s like….
RICHARD FREELEY (blushing)
Well, I’ve never really done this before.
MARLON BRANDO
Take a deep breath… right… let it all out… right there… feeling better?
RICHARD FREELEY
A bit.
MARLON BRANDO
Now where were you born?
RICHARD FREELEY
In East Teacup, England. (laughs)
MARLON BRANDO
Where’s that?
RICHARD FREELEY
Well… not far from Salisbury Steak Cathedral… (laughs).
MARLON BRANDO
Never been there…. a pretty one… that Cathedral?
RICHARD FREELEY
Well, it’s ancient… for us, at any rate…
MARLON BRANDO
You a Christer?
RICHARD FREELEY (talking as if he is excreting words and has hemorrhoids in his throat)
Was. Church of England and all that, eh what, but… lapsed now… yes, very lapsed…
MARLON BRANDO
I thought only Catholics were "lapsed"…
RICHARD FREELEY
You would think so… but it happens to all Christians eventually.
MARLON BRANDO
Why is that?
RICHARD FREELEY
Well now, my word… we’ve really strayed off the path, haven’t we?
MARLON BRANDO
We’re in Heaven! How much closer to the mark can you get!
RICHARD FREELEY
I would like to take a break here.
MARLON BRANDO
Cheater! Heretic! Apostate!
RICHARD FREELEY (firm)
Yes, we’ll be back in a moment.
MARLON BRANDO
You’re not leaving that chair…
They ad lib as the camera fades.
COMMERCIAL BREAK FOUR
_______
We return to find RICHARD FREELEY speaking with FRIEDRICH NIETZSCHE.
RICHARD FREELEY
Now, Mr. Nietzsche …
FREDDY
Please… don’t forget…. you must call me Freddy… I’m American now. Despite my accent, I "swing"… you know!
RICHARD FREELEY
Yes, well… (He peruses his script.)… As I understand… from the script… which you had a hand in writing…
FREDDY
Yes… Marlon threw in a few of my suggestions…
RICHARD FREELEY
From what I read, Chairman Mao Zedong…. blames everything… his bad name… his reputation… his legend… and the horrifying image of him in a new biography… According to the script, Mao blames everything on the French, Karl Marx, Stalin… and a man by the name of Sir Francis Galton.
FREDDY
Of course… it all leads to Galton!
RICHARD FREELEY
Was that your contribution to the work?
FREDDY
Yah. It "sings" now… you know… I mean, first of all, what’s a bad guy, in this day and age of psychological excuses – what’s a Billy the Kid without his mother to blame for everything?
RICHARD FREELEY
Oh… yes… sort of the post-traumatic stresses of Jack the Ripper… it was all his victims’ fault… and he’s suffering undue pressure from the guilt a deluded world is attempting to place on him.
FREDDY
Precisely! You catch on fast! Well, not only was it NOT Mao’s fault… for any of it… for the mass starvation of over 30 million Chinese… the men and military he decimated to make sure he would be Chairman… the lies he told Stalin, in the hope that Japan would beat Chiang Kai-Shek’s troops and make… no FORCE… the Soviets to wage war against Japan… on Chinese soil… and… oh… what a mind he had, Mao… he made Machiavelli look like an amateur, you know. Mao hoped Japan would eventually lose… but only after they’d assassinated Stalin… and that would leave Mao as the sole Chairman of the entire Communist World…
RICHARD FREELEY
It eventually worked out that way, didn’t it?
FREDDY
Yah… Mao outlives Stalin… the Soviet Empire breaks up… and that idiot, mothball Soviet, Vladimir Putin, ends up playing whore to the Tweedledees and Tweedledums of China! Oh, he knew… Mao, the Master Intriguer...
RICHARD FREELEY
Was there ever a villain like Mao, do you think?
FREDDY
No. Not even Shakespeare could come up with a monster like Mao… he was Richard III and Iago rolled into one… evil son of a gun!
RICHARD FREELEY
Then where does this Sir Francis Galton fit in?
FREDDY
Well, he gets the last laugh… even over Mao… and Mao… now that he’s faced Heaven… there’s really no hell in Christ’s Heaven… all the bad guys are in the psychiatric wing…
RICHARD FREELEY
I beg your pardon?
FREDDY
Yah… God’s not a sadist… he’s a lover… and a very good one, too… all that dirty old man stuff in the Bible… the incest with Lot and his daughters. Well, I don’t want to upset too many Reborns in the audience but he’s a randy one, God is… He’s kept Mother Earth pregnant for millennia…
RICHARD FREELEY
Yes… well… you might be right about the Reborns… but that can go in the editing room you know… Feel free to speak…
FREDDY
Freely? Like your last name, huh?
RICHARD FREELEY
Umm… well… when did Sir Francis Galton live?
FREDDY
The 19th Century… London. He was a cousin of Charles Darwin. After reading EVOLUTION OF THE SPECIES like it was written for him personally, he comes up with this idea of Eugenics!
RICHARD FREELEY
And could you please define Eugenics for our audience?
FREDDY
Why don’t you ask Francis himself?
RICHARD FREELEY
He’s here? Well, of course he’s here… There is no Hell, is there?
FREDDY
Only psychiatric wards… That’s where Galton is… in the Heavenly Nuthouse! Yes, the Celestial Funny Farm!
RICHARD FREELEY
Are they allowed visitors?
FREDDY
Let me check into that… if they let ME in… after having let me OUT… I arrived a syphilitic… they wanted two weeks of observation… and they realized that I wasn’t any crazier or a dirtier old man than… GOD HIMSELF! (laughs)
RICHARD FREELEY (annoyed)
Yes… how interesting.
FREDDY
Let me talk to Churchy.
RICHARD FREELEY
Churchy?
FREDDY
Winny… Winston. You of all people should know.
RICHARD FREELEY
Sir Winston Churchill?
FREDDY
Yes. St. Peter retired… full pension… to eternity!
RICHARD FREELEY
You don’t say.
FREDDY
And now Churchy’s at the gate… knows them all… spoke with half the real bad guys of the last hundred years and… well… takes one to know one, you know. Just kidding… or am I?
RICHARD FREELEY
Please do that… talk to Sir Winston… at the gate… and we can take a break.
He turns to the camera.
We’ll be right back after this brief commercial.
COMMERCIAL BREAK FIVE
RICHARD FREELEY
(into the camera)We are now sitting with Sir Francis Galton.
Cut to SIR FRANCIS GALTON, "arch" everything – accent, attitude and bearing a schizophrenic smile, which nothing is able to erase. He nods to the camera… almost Mao-like, serene and disdainful.
Mr. Galton… Thank you for allowing us to speak with you.
SIR FRANCIS GALTON doesn’t answer. He only smiles, looking around an imaginary universe that only he can see. That’s why he has that smile.
RICHARD FREELEY
Well… yes… now… Mr. Nietzsche has told us… and, after researching this a bit, we realize that you were the one who coined the word "eugenics"… is that correct?
FRANCIS GALTON
Coined it. Created the concept. Delivered it only to my closest friends. (He lightly rolls his "r’s." He’s Laurence Olivier at his worst. He smiles a broader smile… but only briefly.) And after reviewing the progress… the flowering, so to speak… of the entire Twentieth Century… I find things… are right on schedule.
RICHARD FREELEY
Oh… and… the "progress".
SIR FRANCIS
Progressive!
RICHARD FREELEY
Hmm. Yes, that would make sense…
SIR FRANCIS
Everything I’ve ever thought… from my birth… to my death… has made INFINITE sense… neither a wrong syllable nor a missed punctuation mark.
RICHARD FREELEY
All perfect, you mean…
SIR FRANCIS
Utterly perfect.
RICHARD FREELEY
Then what are you doing here?
SIR FRANCIS
What do you mean?
RICHARD FREELEY
In a psychiatric ward… the best I’ve ever seen but…
SIR FRANCIS
I am actually holding YOU prisoner… Don’t you know that?
RICHARD FREELEY
No… I really hadn’t seen it quite that way…
SIR FRANCIS
That proves your utter benightedment.
RICHARD FREELEY
"Benightedment"… Is that a legitimate word? Hmm…
SIR FRANCIS
It means the polar opposite of enlightenment.
RICHARD FREELEY
Oh…. yes… I sort of knew that… but never quite as emphatically as now.
RICHARD FREELEY attempts to lighten the air with a laugh, which fails. SIR FRANCIS GALTON maintains his frightening smile.
Now, where were we?
SIR FRANCIS
Caught in your delusion… Your once infuriating blindness over who is in charge of whom here. Now I no longer even get upset over the likes of you and your craven little liberal world.
RICHARD FREELEY
Yes, well, how do you feel? Yes, let’s start there… a simple "how are you," perhaps?
SIR FRANCIS
You’re really quite frightened of me, aren’t you? That of course is how it should be… and will be… unto eternity.
RICHARD FREELEY
You enjoy other people’s fear…
SIR FRANCIS
I adore it! Fear of God… as so lamely presented in the Bible… has always been… and always will be… the fear of my own certain, irrefutable, ineradicable, diaphanously granite…TRUTH!
RICHARD FREELEY
Wincing at the volume of SIR FRANCIS GALTON’s last word, RICHARD FREELEY consults his notes.
It says here that Nobel Prize winner James D. Watson recently spoke of you in glowing terms.
SIR FRANCIS (becoming teary-eyed)
Brilliant man! Unparalleled insight and courage! With a few small references to me… he perfectly… and I mean without one flaw in the sentences… honored his most important predecessor – the giant upon whose shoulders he now stands… heralded in the halls of Enlightenment… Stockholm, Sweden… the most unrecognized achievement of the New World Order!
RICHARD FREELEY
He is the most unrecognized…
SIR FRANCIS (interrupting)
No, Stockholm! All other capitals of the now ancient world… and that means any metropolis pre-dating my discovery of eugenics… and that is why a few sloppily-minded socialists think "postmodern" means "post-Karl Marx"… but who or what is Marx when compared to me?
RICHARD FREELEY
I really wouldn’t know…
SIR FRANCIS
Marx? A mere John the Baptist to my Christ!
RICHARD FREELEY
You were martyred?
SIR FRANCIS
In a manner of speaking… I was. Yes, of course... I was most certainly martyred…. but, how shall I say this? I was martyred in exactly the same way that monument to professional victims, Jesus of Nazareth was… It was all part of the drama! I had to keep my name silent… my greatness a secret… my achievement … a profound but long-awaited one… Do you know how long it’s been since my name could come up into the light?
RICHARD FREELEY
No, I really wouldn’t know.
SIR FRANCIS
Over one hundred years! The dark, incredibly blinkered, cave-like mentality that was propagated by Judeo-Christianity and its … namby-pamby moral nonsense! Nauseating!
We see RICHARD FREELEY taken aback by SIR FRANCIS GALTON’s intensity.
Only a woman! A saint, if you will… and you would, given the obvious demilitarized zone your intellect dwells in… a female giant…
RICHARD FREELEY
Excuse me… Can I stop you here for a moment? My obvious DEMILITARIZED zone?
SIR FRANCIS
You’re an open book, Mr. Freeley! To which I must crawl in your lexicon… your reference to saints and all… Margaret Sanger… my spiritual WIFE, if you will… was in your own bogus hierarchy… A SAINT!
RICHARD FREELEY
A saint of Eugenics, right?
SIR FRANCIS
A saint of the Universe!
Again a pause, during which RICHARD FREELEY collects himself from the intensity of SIR FRANCIS GALTON’s delivery.
This is followed by a long shot of the two of them with a second camera that shows the utter emptiness of SIR FRANCIS GALTON’s quarters.
RICHARD FREELEY
Perhaps, sir, it is time for a short break. May I do that, sir?
SIR FRANCIS
Do whatever you bloody please! It won’t be long before that vaunted, individual freedom of yours is seen for the delusion it has always been!
COMMERCIAL BREAK SIX
____________
RICHARD FREELEY
Welcome back… we’re here with Freddy again… I’m sorry… Herr Friedrich Nietzsche, the great German philosopher…
FREDDY
Polish! I was, am and always will be Polish!
RICHARD FREELEY
Oh, well… yes… didn’t know that.
FREDDY
Few do… Isn’t it interesting that one of the most reputedly great minds of Germany was actually Polish? Might explain the stupidity of their starting not one but two world wars.
RICHARD FREELEY
The Poles have hardly been stupid. There’s Chopin and Copernicus.
FREDDY
And Karol Woytila… But now they have a Kraut in the Vatican…
RICHARD FREELEY
Karl Ratzinger, also known as Benedict XVI…
FREDDY
Benny Six, they call him… in the streets of Rome… you know from that…
RICHARD FREELEY
Know what?
FREDDY
He’s the Christ…
RICHARD FREELEY
I beg your pardon… thought you didn’t believe in that…
FREDDY
The myths are absolutely, unalterably true… and the sacrificial lamb is inevitable in this instance…
RICHARD FREELEY
I don’t follow you…
FREDDY
Benny’s days are numbered by the Eugenicists… yah…they’re in a big, fat, fucking hurry… Progress, you know… So-called Progressives…
RICHARD FREELEY
You think he might be…
FREDDY
Not might. Will! And then the Catholic Underground will rise and… ah, mein Got im Himmel! Hadn’t known what might prompt that… until I realized the whole messy business of Christ must be played out again… Even the Galtonites know that… the Eugenicists… I mean, they’re Thanatacists.
RICHARD FREELEY
They’re what?
FREDDY
Tha-na-ta-cists… death worshippers… the superhuman race cannot be built unless there’s megadeath and one thing that will begin such a religious conflict is…
FREDDY’s words drift off into gestures of resignation and regret.
RICHARD FREELEY
You admire the Pope?
FREDDY
Yah, it was he who returned me to Christ… guess who came back with me? Pier Paolo Pasolini.
RICHARD FREELEY
The great Italian director of Salo, or The 120 Days of Sodom! The homosexual visionary communist who was murdered…
FREDDY
Yah, the fucked-up servant of two masters, Christ and Karl Marx.
RICHARD FREELEY
Oh, well… I really prefer to talk about Sir Francis…
FREDDY
Galton? It took a ton of gall to come up with Eugenics….
RICHARD FREELEY
But he did apparently…
FREDDY
Yes, indeed, but he was a mathematician and that explains almost everything.
RICHARD FREELEY
How so?
FREDDY (warming to the subject)
Do you remember the story of Abraham and Isaac?
RICHARD FREELEY
In the Bible, where God orders Abraham to slay his son Isaac?
FREDDY
Yah… and then, at the last minute, holds back Abraham and orders the father to let his son live.
RICHARD FREELEY
Yes, but what has that to do with Sir Francis?
FREDDY
Mathematics! The greatest mathematician was Sir Isaac Newton… Well, God knew that Isaac would be the namesake of the man who would fuck everything up!
RICHARD FREELEY (confused)
So you’re saying Isaac Newton screwed the pooch, so to speak?
FREDDY
Yah… few people know the rigidity of his Christianity… like his integers… and algebraic formulas… he took the Catholic Trinity… the Father, Son and Holy Ghost and discarded the Holy Ghost… it’s in his Twelve Spiritual Articles… read them!
RICHARD FREELEY
I believe you, but how did that end up in Eugenics?
FREDDY
The soul of Man rests, like a table, on three legs… the Father, the Son AND the Holy Ghost, the Comforter, the Paraclete, the only real lawyer we have… Well, take one leg away… and what happens to the table?
RICHARD FREELEY
It falls over, unless it has something to lean on.
FREDDY
And guess what Sir Isaac left the Protestants to lean on? Mathematics! We now have a human race that is like the Leaning Tower of Pisa… The tower Galileo played one-way handball from… and the one destined to fall…
RICHARD FREELEY
... as the human race will?
FREDDY
Might! Yah… might… meaning more than a little possibility…
RICHARD FREELEY
It’s quite a stretch, from the Bible’s Isaac to Isaac Newton.
FREDDY
NOT if you include that mysterious "Sin against the Holy Ghost,"… the one Christ said could never be forgiven….
RICHARD FREELEY
I always thought that might be suicide, you know… rather like Judas…
FREDDY
Funny you should say that… so did I… and, of course, the only thing Catholic about me was my refusal to despair about anything… anything at all… but no… it was Isaac who murdered the Holy Ghost before the French Revolution had even THOUGHT of assassinating God, the Father.
RICHARD FREELEY
And so, when Newton eliminated the Holy Ghost and then replaced it with mathematics…
FREDDY
It was inevitable that assholes like Rev. Billy Graham and his chosen Evangelist, William Clinton, should buy Eugenics… that creation of a mathematician… it’s all as much anti-Catholic as it is pro-mathematics, but you see how cold the Reformation Christians can get toward almost everything. If integers, numbers and equations determine their fate, yah? The cold equations…
RICHARD FREELEY
So, Sir Francis is not entirely at fault for the misconception…
FREDDY
No, there’s roughly two hundred years between Galton and Newton… and many generations of mathematical Christians. Very obsessed with appearances and lifestyles and increasingly inured to death… almost hoping they’d be taken… the Reborns, you know… those Left Behind.
RICHARD FREELEY
So, in a way, Sir Francis is guilty of the "Sin against the Holy Ghost."
FREDDY
Yah – and millions of other so-called "Reborns."
RICHARD FREELEY
Wouldn’t he go to Hell for that… join Mao Zedong?
FREDDY
There’s hope he might see the light… wake up… but, it would take a Master to do it… like Christ… and for some reason… Christ is either not in the mood or he’s waiting for someone to volunteer.
RICHARD FREELEY
Why don’t you volunteer?
FREDDY
Why me?
RICHARD FREELEY
You seem the only person…at least the only one I know of… who understands his…
FREDDY
His enthrallment! A good word… Abraham Lincoln used it when referring to America’s hypnotic state under slavery. He said to Congress: "We must disenthrall ourselves."
RICHARD FREELEY
We’ll take a break here and be right back…
The camera lingers on as RICHARD FREELEY begins to talk, off-microphone, to FREDDY.
COMMERCIAL BREAK SEVEN
_________________________
RICHARD FREELEY
We’re back… and now with not only Mr. Friedrich Nietzsche but also Sir Francis Galton again… Hello, Sir Francis.
SIR FRANCIS GALTON doesn’t answer. He eyes FREDDY suspiciously.
Do you know Friedrich Nietzsche, Sir Francis?
No reply from SIR FRANCIS GALTON.
RICHARD FREELEY looks at FREDDY for an explanation.
FREDDY
I’ve tried this once before without telling anyone. I think exorcisms are for experts and the Ultimate Expert is up here with us, but he just doesn’t want to help…
RICHARD FREELEY
What happened when you tried before?
FREDDY
Brought him near the edge and he withdrew… went completely catatonic….
RICHARD FREELEY
Why not just try again? Do you think he hears us?
SIR FRANCIS GALTON is again off into his own world.
FREDDY
No, not a thing… his dreams… at least in his own mind… are coming true irreversibly… the march toward the perfect human race… all designed along his own prescriptions in hereditary genius. He doesn’t know there’s something beyond human genius.
RICHARD FREELEY
And that would be?
FREDDY
Apprehension… and I don’t mean it in the contemporary sense… no… Shakespeare again… there’s nothing he didn’t know… Harold Bloom was right…
RICHARD FREELEY
The Shakespearean critic?
FREDDY
Well, hardly a critic of Shakespeare since he worships the Bard… he said, "Shakespeare invented us!"
RICHARD FREELEY (scoffing)
Oh… well… not sure I’d go quite THAT far for a fellow countryman but…
FREDDY
"What a piece of work is a man"… This is from Hamlet. "How noble in reason, how infinite in faculties… in form and moving, how express and admirable… in action… how like an angel… in apprehension, how like a God!" With the death of the Holy Ghost came the death of "apprehension," the ability to see not into… but out of Eternity. With the rise of mathematics came the death of Eternity as well… Stephen Hawking says it in his preface to GOD OF THE INTEGERS: "Space is finite… and therefore NOT eternal."
FREDDY approaches SIR FRANCIS GALTON.
FREDDY
Good afternoon, Sir Francis. You’ve met Mr. Freeley, I presume… He’s here to ask you a few questions about Hereditary Genius and Eugenics.
SIR FRANCIS
My great inspiration came when I met Sir Isaac Newton in my dreams! While visualizing the future… seeing what Man will be… when we’ve raised him up out of this genetic dice game he’s been wallowing in… copulating with the most absurd matings… spawning mongoloids and other inferior biological specimens… all going in the wrong direction. Odious. If I were a believer, I’d say it runs counter to God’s plan! As it is now, the human race is abominable actually… but things are improving, thanks to Mao Zedong and the spread of his Population Control Policy. I don’t know why I’m telling you all this… you’re obviously a half-informed, well-intentioned liberal… and the real work’s being done by the Red Chinese and Islam… great boon to Eugenics, old Allah is… and, of course, if the authorities allow the ethnic cleansings to go on unabated, that will certainly rid the Earth of the worst of the mouth-breathers. Dim-witted dullards and pigs! Not a mouthful of brains to be found in any of them!
RICHARD FREELEY
Excuse me, Sir Francis…
RICHARD FREELEY goes back to FREDDY who’s been standing at a distance away from SIR FRANCIS GALTON.
RICHARD FREELEY
What about Marlon?
FREDDY
What about him?
RICHARD FREELEY
Galton so admires Mao… right? Well, how about… I mean, what if Marlon arrived as Mao to talk with Galton?
Long pause…during which FREDDY looks at RICHARD FREELEY, then away and back again, then away, then at SIR FRANCIS GALTON in the distance…
FREDDY
Yes, by Jesus… it might work – if I rehearse Marlon a bit.
RICHARD FREELEY
Like to do that now?
FREDDY
Of course…
RICHARD FREELEY (to the camera)
We’ll be right back….
COMMERCIAL BREAK EIGHT
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MARLON BRANDO is in his Mao pajamas now and making up his face to look like the Chairman of the People’s Republic of China. FREDDY is beside him, rehearsing him for Galton.
FREDDY
Marlon, you must… you cannot omit this… remind him of Waterloo…
MARLON BRANDO looks up at FREDDY.
MARLON BRANDO
Waterloo? What the fuck has Galton to do with Nelson kicking Bonaparte, boot-stomping his army to pieces?
FREDDY
Galton’s entire inheritance… intellectually, of course… is French. He’s not really English – not a bit of the crown in him, you know…
MARLON BRANDO
He took a knighthood… what the fuck is that?
FREDDY
Careerism. He had to… his ambitions were as great as Mao’s, but you must prove to him that YOU, Mao Zedong, have the upper hand and always will… Do you understand?
MARLON BRANDO (finished with his makeup)
Looks pretty good, huh?
He admires himself in the mirror.
I thought I was GREAT as a Jap in… what the fuck was the name of that film? Who cares? But with all the Buddhism I know now…
FREDDY
Marlon, that’s why you’re terrible as Mao… too Buddhist… it worked for the Jap in TEAHOUSE OF THE AUGUST MOON… all that poetry, but Mao was beyond poetry…
MARLON BRANDO (upset)
That’s impossible! Nothing can be beyond poetry.
FREDDY
Beyond Good and Evil, Marlon, IS beyond poetry… it’s nothing… nihilism, zero, void, black holes, nadir… indifference, Marlon…You do not understand indifference!
MARLON BRANDO
Fuck you! Yer just jealous… I got the part and you didn’t….
FREDDY
Perhaps, but you MUST convince Galton of your utter indifference to his fate… and that will be hard… you’re too compassionate… or as Robert De Niro described you, romantic – and romance has no place in Mao’s world.
MARLON BRANDO
Well, then let’s wait till Bobby dies… and HE can play Mao…
FREDDY
We haven’t time… Eugenics is cleaning up in the wake of Mao… and moving forward at such a speed… millions of gestating infants die each month… they’re piling up in a special Heaven Christ had to invent…
MARLON BRANDO
Oh, fuck…YOU do it….YOU get into makeup, ya goddamn know-it-all!
FREDDY
There’s no time. You MUST do it.
MARLON BRANDO
I feel like I’m in a fucking forties film… ya know… Mickey Rooney and saving the show…" Ya gotta go on!" Shit like that.
FREDDY
Life is more like a forties film than you can possibly imagine. And, oh, yes… you must be prepared for the Galton contempt… there’s no more vitriolic, vituperous revulsion for anything living than that of Sir Francis Galton… except, of course, for that of Mao Zedong.
RICHARD FREELEY
We’ll be right back with Marlon, Mao and Sir Francis Galton…
COMMERCIAL BREAK NINE
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We see, in a long shot, MARLON BRANDO as Mao Zedong sitting next to SIR FRANCIS GALTON. They speak in low tones. We cut to a two-shot of them. They’re both chuckling about something.
SIR FRANCIS
And then I told him: "The real work is being done by Mao and Eugenics…"
MARLON BRANDO (nodding sagaciously in agreement)
Who might have known?
There’s an accent, a mild one of some sort, a rare conglomeration only MARLON BRANDO might put together… in order to fake his absolute lack of research. It works, however.
…. from the Orient... the Truth arises… a short, fat little fuck…
SIR FRANCIS GALTON looks at MARLON BRANDO, amazed at his use of a cuss word.
Yes, that’s how they refer to me up here… in secret, of course… and those that do… there’s no God to help them but me, Francis!
SIR FRANCIS GALTON giggles, almost tearing up with the vindication of their plans for the human race.
And, my dear man… no one knows torture… slow, unrelenting, cold, icy sadism… like I do.
SIR FRANCIS
Oh, I’m sure of that, Mao… oh, no doubt … how splendid… and you enjoy it, eh?
MARLON BRANDO (smiling one of his most satisfied expressions of sheer bliss)
See this face? Am I weeping?
SIR FRANCIS GALTON then returns to his mad, little boy giggle… and almost chokes on his own glee. MARLON BRANDO joins in. Long shot of the two of them quietly convulsed in glee.
SIR FRANCIS
I’ve imagined such things, Mao… but never shared that fact with anyone… except you! Oh, my dear friend… my dearest companion.
MARLON BRANDO
But now, Francis... Are you listening?
SIR FRANCIS
Yes, Mao…
MARLON BRANDO
It’s very important that you hear me now, do you understand? What I’m about to say will remain law… implacable, irrevocable, irreversible law… to eternity… are you with me here, Francis?
SIR FRANCIS
Yes, of course… I’m all ears.
MARLON BRANDO
You’re going to start wearing pajamas, Francis. That’s the first order.
SIR FRANCIS
I beg your pardon?
MARLON BRANDO
Yes, just like these… only a little drabber, you know… nothing that carries the inner brilliance of my own pair of pajamas…
SIR FRANCIS GALTON awaits more information… in silence.
Aren’t you happy about that, Francis?
SIR FRANCIS
Well, Mao, I’m not sure where you’re going with this.
MARLON BRANDO
Where do you think I’m going, Francis?
SIR FRANCIS
Pausing … to summon up his adjustment to this new line of thought… his "guards" are going up and the "games begin," so to speak.
What little I’ve read about you, Mao, indicates a severe… egomania in your nature… and that of course is always the downfall of genius… it courses through all of literature… and I’m sensing a move on your part to… well… how shall I say… become "top dog," as it were.
MARLON BRANDO
I don’t have to BECOME anything, Francis… I am… I just am… you, sir… became more French than the French…
SIR FRANCIS
I beg your pardon, Mao… I’m British… as mad as King George and as profound as Shakespeare himself.
MARLON BRANDO
No, you’re a froggy little idiot… do you think I don’t know where Karl Marx was coming from? And Stalin? I know Joe talked a good game about gratitude being only for dogs… and until me, Mao, the Deadly Buddha… the only thing more ungrateful than Stalin was the Dr. Frankenstein nation that invented him: France. But I, Mao Zedong, took all their formulas and raised the ante so high. Only Jesus got THAT high… and once I arrived I cut ‘im to ribbons… shreds… they’re feeding Jesus to the pigeons now… because of me, Francis.
SIR FRANCIS
And your point is?
MARLON BRANDO
Who the fuck do you think you are?
SIR FRANCIS (composing himself)
I am Sir Francis Galton, the creator of Eugenics, the only possible vision that can simultaneously contain the butchery of you, Stalin and Hitler and all the other wannabes in your club of assassins… and explain why you’ve been made the way you are. I, having explained you, or those like you throughout history, having revealed their meaning to myself and to the world of science, the mathematicians particularly, have set in motion the only possible direction of mankind: that Man himself must take charge of his own evolution! It can’t be left to chance!
MARLON BRANDO (after a long admiring pause, one concentrated upon SIR FRANCIS GALTON with a mildly humorous respect)
Francis… my word… that was something… I’d like to play you…
He applauds SIR FRANCIS GALTON.
Well played, sir. Yes, well played indeed. Bravo! I’m not too pleased with your delivery on the words butcher… and assassin… not a great deal of respect there, Francis…
SIR FRANCIS
Why should there be? You can’t assassinate me… I AM FOREVER!
MARLON BRANDO
I heard that Stephen Hawking… you know who he is, the famous astrophysicist…
SIR FRANCIS
Of course… you idiot… God, how minor these hooligans of man... how ignorant… how loathsome… silly creatures, but I suppose we need these useful idiots to do the job that has to be done…
MARLON BRANDO
Disregarding SIR FRANCIS GALTON’s contempt, having expected it… FREDDY had warned him about it.
Hawking said space is finite… and therefore there’s no eternity… so there’s an end somewhere, isn’t there? And I’m going to send you there… kicking and screaming…watch – I bet that in less than ten minutes, you’ll be in a straitjacket… that’ll be your FIRST pair of pajamas… and then, after that… you’ll be worshipping in my temples… yeah, they’ll be very Buddhist. You’ll be intoning, "Mao, Mao, Mao…"
SIR FRANCIS GALTON’s face is in shock now. He is appalled…
SIR FRANCIS
Like a cat? Meow, meow…. you horrid, abominable man! Meow, eh! YOU WANT TO HEAR MEOW? I’LL GIVE YOU MEOW!
From seemingly nowhere, two medics rush in with a straitjacket and strap it on to the frantic SIR FRANCIS GALTON…
MARLON BRANDO looks on in mild compassion… and then increasing sadness at his own victory.
FREDDY comes up next to him, pats him on the shoulder.
FREDDY
Well done, Marlon… well done… couldn’t have done it better myself.
RICHARD FREELEY arrives in front of the camera, rather upset but dutifully covering the proceedings.
RICHARD FREELEY
We’ll be right back after this.
COMMERCIAL BREAK TEN
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SIR FRANCIS GALTON sits at a distance from the camera, in a straitjacket, silent, seemingly catatonic. FREDDY enters and sits next to him.
FREDDY
Sir Francis?
A slight sigh from SIR FRANCIS GALTON and a look away from FREDDY.
You’ve had a rough go, eh?
After a long pause…
SIR FRANCIS
What would YOU know about it?
FREDDY
Oh, me? I only died of syphilis… what would I know about suffering?
SIR FRANCIS
You don’t understand… this has nothing to do with the pathetic end of one man. This is the future of the entire human race!
FREDDY
Easy, Francis… they’ve got more than straitjackets here, friend…
SIR FRANCIS
Friend… No one’s a friend of mine!
FREDDY
Should there be?
SIR FRANCIS
My dream… is the only dream possible… otherwise there’ll be utter anarchy… do you know that?
FREDDY
Well… the human race has done pretty well so far, you know…
SIR FRANCIS
It’s a madhouse, the human race… chaos! Utter insanity… we glimpse genius here and there… and then poof – it’s gone! Au revoir, Monsieur le Génie!
FREDDY
So you are French inside… Mao was right about you after all.
SIR FRANCIS
Where did all this contempt for the French come from, sir? I mean without the French Revolution we would all be doltish, bourgeois good-for-nothings on a golf course… doing nothing…
FREDDY
But enjoying ourselves… is there something wrong with that? Could anyone repay our Creator in full for the miracle of life… would that be even possible… how could we poor mortals be expected to repay God for his bounty? In what coin? With what gold?
SIR FRANCIS
There is no God but Man, sir!
FREDDY
And here one man sits… in a straitjacket, only because he thought God and creation and evolution were not good enough.
SIR FRANCIS
This is not good enough…This awful, agonizing condition we live in… battering about in our mortal coils, filled with dreams that go utterly unfulfilled, wishing for this… hoping for that… planning a victory here and a conquest there… and all dashed and blasted... flies to wanton boys and words bereft of any meaning.
FREDDY
Well, you can thank the French for that deconstruction…
SIR FRANCIS
Shut up! Do you hear me?
FREDDY goes silent in deference to SIR FRANCIS GALTON’s agony of spirit.
What have I done to deserve this? It’s hell, you know… I’m drowning in my own mind. Words fly about in my brain… and lose all weight and substance... they’re mere growlings of an animal. How can that be when I saw the whole thing before my mind’s eye… with Charley’s discoveries?
FREDDY
Charley?
SIR FRANCIS
My cousin, Charles Darwin! He laid it all out before us… the entire mosaic of Man – from whence we came – and the obvious evidence before us of where we are going… after summoning up all the greatest and strongest elements of the entire chain of life… from amoebas to Leonardo Da Vinci! Do you see it?
FREDDY
No, tell me.
SIR FRANCIS
Once the clearing has been made…
He’s collecting himself now, back in the dream of Eugenics.
All the FAT of an obese humanity has been cut off… the inadequate, the puerile, the craven, the weak and fragile, the intimidated, the superficially cunning, skin-deep sophomores, liars and, well… lying helps… and Clinton’s done a splendid job with that, covering everything up as he has… what a wonderful way with euphemisms he has… Progressive for Eugenics… the Third Way for the same governing architecture of the Third Reich… oh, a master at preaching my undeniable Truth, while making it palatable to the sentimental fools of that delusion called the Judeo-Christian civilization. Can you imagine if the likes of Moses and Christ had prevailed? What a swamp we’d be in.
FREDDY
Well… we’re still kind of in it, Sir Francis.
SIR FRANCIS
No, we’re not….
FREDDY
Well, if we’re not, then you shouldn’t be in that straitjacket.
SIR FRANCIS
This is to show that I no longer NEED my body, you see. Mind… and mind alone… is all that is required… and there is no greater mind than my own… and I shall see my masterpiece – the new human race – all my friends down there are working on it… And in one thing I must disagree with Mao Zedong. He is wrong… there IS an eternity… and the dreams of man are the greatest part of it… and we will grow into the fiercest, strongest, smartest, most unpredictable, fastest, most ruthless fighting force in the Universe! You know that, don’t you?
FREDDY
Well, I did write The Will To Power… but that had to do with individuals like myself… and I found my own power… even in the midst of a severely diagnosed disease called syphilis, and that’s all that really mattered to me… and I believe to the rest of the human race… I would only hope that each individual of the human race could see but half of what I’ve experienced in this awesome perfection called life.
SIR FRANCIS
Perfection? You must be mad! It’s chaos, ugly, malformed, twisted… so far from perfect… oh, my good man… you’ve been deluded… and you, of all people… my word… how surprising that you and that pathetic life you led in increasing madness… oh, you poor man… you poor benighted man……
Long pause, as FREDDY sits and ponders the metaphysical irony of having SIR FRANCIS GALTON, in a straitjacket, in a psychiatric ward in Heaven, pity him.
THE END
Copyright, 2006, Michael Moriarty